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You may also be interested in the following articles.
Composition
Exposure
How to become a better photographer
Process behind taking pictures
Finding Good Subjects
Achieving correct exposure
Lighting
& Exposure
(Books)
Taking Sharp Photos
How to judge photograph |
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20 Tips For Taking Better Pictures

Canon EOS D30, Tamron 70-210mm f-2.8 Bogen tripod and ball head. Multi-pattern meter at f-5.6
and 1/45
sec on aperture priority mode and manual focus.
Original color image was converted to black and white in Photoshop. |
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A good photograph is well
exposed, well composed, and sharp. You can photograph the best locations on
earth, but if the images you bring back are not correctly exposed or
composed, and lack sharpness, they are useless. On the other hand, a nicely
composed ordinary object which is sharp and correctly exposed is a winner.
This is my top 20 list of the steps you need to take to create great images.
- Take your time. Don't
just point and shoot the minute you see something you like to
photograph. Look around to find the best possible angle. Look through
the viewfinder and try different focal length lenses.
- Use the ''rule of
thirds'' to compose your shot. Divide the frame into thirds like a
tic-tac-toe grid. Place your subject within different lines until you
see the best composition.
- Check the corners of the
frame for any unwanted objects. Don't include more than it is necessary.
- Make sure objects in the
scene relate to each other. Don't include distracting colors or
background or anything else that might take the viewer's attention away
from the main subject.
- Use a tripod to compose
your shots. You can fine tune your composition much better than
handholding your camera.
- Don't always trust your
camera meter. Remember, all metering systems want to do one thing and
that is to make an average middletone result. Make necessary adjustments
for lighter or darker than middletone subjects.
- Pay close attention to
the direction of the light. Photography is about light. Frontlight,
backlight, and sidelight each greatly affect the results and change the
mood in photographs.
- Use spot metering for
metering the most important part of the scene. If your camera does not
have spot metering, use a telephoto lens to take a reading and lock
exposure on manual mode. Switch to your original lens to take the shot.
- Work in manual mode for
stationary objects. You can quickly and easily adjust exposure settings.
By referring to the exposure index in the viewfinder and working in
stops, you can fine tune your exposure.
- Use manual focus for
stationary objects. You can pick the best focus point for maximum
depth-of-field. Refer to hyper focal distance mark on your lens if it
has one to make sure selected f-stop and focus point covers required
depth-of-field.
- Use depth-of-field
preview to check the range of sharp focus. Use the f-stop that covers
required depth-of-field and don't stop down more than you have to.
Smaller f-stops require slower shutter speeds which can cause blurred
images due to wind, mirror vibration, and subject movement.
- Use a tripod for maximum
sharpness. Nothing beats a tripod for taking razor sharp images.
Expensive cameras and lenses are worthless in shaky hands. If your
images are sharp handheld, a tripod will make them razor sharp.
- Avoid both ends of the
lens' aperture range. All lenses are at their sharpest when closed down
two or three stops from widest aperture. Wide open aperture may produce
soft corners while very small apertures can affect overall sharpness due
to diffraction.
- Buy the best lens you
can afford. Lenses are more important than cameras. Lenses greatly
affect the sharpness of images. If you need to decide on a better camera
or lens, definitely go for the lens. Any currently made camera will work
fine for taking good pictures, but it is the lens that produces sharp
images if used with good technique.
- Use good film. Use
slower finer grain films for better sharpness. Use faster films only if
you have to, such as working in low light. Try several brands and learn
their characteristics. Pick the ones that you feel gives the sharpness
and colors you want.
- Use a cable release to
release the shutter. By using the camera shutter release you risk
shaking the camera which can result in unsharp images. Cable release
lets you release shutter without touching the camera.
- Use mirror lock up if
your camera has one. When you release the shutter the mirror swings out
of the way allowing light to reach the film. This can create vibrations
and create unsharp images. With this feature you raise the mirror and
lock it prior to exposure to prevent any vibrations. Mirror vibration is
a more of a problem when using telephoto and macro lenses. If your
camera doesn't have this feature, avoid speeds between 1/8 to 1/30 sec.
- Avoid using UV or
Skylight protective filters. All lenses are at their sharpest without
any filter attached. Filters degrade image quality to some degree. Cheap
filters turn an expensive lens into a cheap lens.
- Use quality filters.
Polarizers, graduated neutral density, close-up filters, are great tools
for improving your pictures as well as many other types of filters. Buy
the best you can afford and use them one at a time.
- Use a lens hood at all
times. Lens hoods reduces flare and protect the lens from scratches.
Digital Photography Expert
Techniques (O'Reilly Digital Studio)
This absorbing book, by professional
photographer and author Ken Milburn, offers a ton of expert
advice to those who are ready to move to the next level with
digital photography. Rather than a general discussion of
photography principles, Digital Photography: Expert
Techniques focuses on workflow: time-tested,
step-by-step procedures based on hard-nosed experience by
and for genuine practitioners of the art. The book's
conversational tone presents detailed information about what
to look for in today's affordable high-end digicams, how to
use simple techniques and equipment to shoot breathtaking
shots, instructions on shooting great panoramas,
dos-and-don'ts for creating better Photoshop masks, and
professional digital darkroom techniques for everything from
knockouts to restoration to transforming your photos into
watercolors. It even shows you how to get your most prized
photographs printed and ready for exhibition.
Contents include:
-
Understanding your digital camera from the inside out.
-
Creating effects with the camera: making panoramas,
high-resolution matrixes, infrared photos, and more.
-
General composition and managing your workflow.
-
Using the digital darkroom and Photoshop CS to make your
images professional caliber.
-
Understanding the power of Photoshop CS selections and
masks.
-
Using special effects to save what's good, and get rid
of the bad and the ugly.
-
Creating fictitious photos: bend and wrap images to fit
an object, insert a more interesting skyscrape, and
more.
-
Professional color and tonal management
-
Creating portfolios and presenting your images on the
Web.
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