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Photographing Birds

Left Image: Canon EOS D30, Tamron 200-400mm f-5.6, Bogen tripod and ball head,
1/350 sec at f-5.6 on
aperture priority mode and manual focus.
Birds are one of my favorite subjects. They
are simultaneously among the easiest and the most difficult subjects to photograph. They
are easy to find and many types of birds are used to people, so approaching them is not
difficult. On the other hand, many birds are shy and don't allow you to get too close.
Even staying far back and using very long lenses may not be enough to photograph them.
Birds have excellent eyesight. They see you long before you even notice there are birds
around. Smaller birds are faster and more active, making them much more difficult to
photograph. Understanding their behavior helps you take great photographs. You should
approach birds slowly. Don't make any sudden movements or you can scare them away. Birds
are very aware of eyes. Don't look them in the eyes, especially if you are walking towards
them. Birds see this as a treat and will fly away. The best way to approach birds is by
walking very slowly while looking at another direction. It is a good idea to change
direction if you feel the birds are becoming nervous by your present. You will definitely
need a long lens for bird photography. 300mm and 400mm lenses will cover larger birds.
500mm and longer lenses are great for smaller birds or when closer approach is not
possible. Faster lenses allow higher shutter speeds, required for most bird photography.
You can use a telephoto zoom lens, but you need to use a fast film, either ISO 200 or 400.
A set of 1.4X and 2X converter can give you some extra reach. Use converters with fixed
focal telephoto lenses. Zooms don't work well with converters, plus many zooms have a
maximum aperture of f-5.6 which is too slow with teleconverters. With a 1.4X converter,
your f-5.6 lens becomes f-8, and f-11 with a 2X. Your shutter speeds will be too slow with
these f-stops, and overall sharpness will also suffer when you use zooms with
teleconverters. Setting up a blind is another way of photographing birds. You can set up a
blind close to places where many birds come to feed such as lakes. If you do a lot of bird
photography invest in a small and portable blind.
Right Image: Canon EOS A2,
Tokina 300mm f-4 ATX Pro , lens, Fuji
Provia 100, Bogen tripod and ball head.
Multi-segment metering, shutter speed not recorded, f-4 on aperture priority and
autofocus.
Focusing is critical. You'll be shooting
with a wide aperture most of the time which can give a shallow depth-of-field. Focus on
the eyes. The eyes draw the viewers attention to the photograph. You need a fast shutter
speed to freeze motion. If the bird is flying towards you, a very fast shutter speed is
not necessary, but if it is passing in front of you and very close, a shutter speed of
1/500 sec or faster is required to freeze motion. A tripod is essential for sharp images,
especially with longer lenses. However, when photographing birds in flight, tripods are
difficult to use. Following a bird and changing your tripod's controls is not easy. A
shoulder stock is the best support for birds in flight. It lets you pan and focus much
easier than a tripod. I've used my 200mm, 300mm, and 400mm lenses with a shoulder stock
with very good result. Spot meters are very useful for determining exposure. Select a
middle tone area and take a reading. For white birds you must open up 1 to 2 stops. For
black birds, spot meter a middle tone area in the same light as your subject and use that
setting to take the picture. Successful bird photography requires patients, understanding
of your subject and luck.
Photographing Birds in the
Wild: Photographic Hints and Tips
Whether readers are knowledgeable birders
who wish to find out more about photography, or whether they have a
photographic background but need to know more about field craft and
specialist photography techniques, this book clearly explains how to get
fine results using basic 35mm cameras and equipment. Above all, it will
increase readers' enjoyment of a uniquely rewarding pastime.
As photographic subjects, wild birds
present quite a challenge, mainly because their phenomenal eyesight and (in
most cases) acutely cautious nature make them so difficult to approach.
However, like any good challenge, bird photography can often be tremendously
rewarding, and its popularity is ever increasing. As a result, there is a
continual improvement in the standard of work being produced. Far from being
just a record of species and behavior, the best bird photographs are
genuinely artful images.
The books provides the less experienced
photographer with a practical guide to photographing many species of wild
birds in a variety of situations, ranging from an ordinary back garden to a
remote Scottish island. The author uses a 35mm single-lens reflex camera,
and most of the illustrations reflect his preference for natural
lighting--although basic flash techniques, which are sometimes
indispensable, are also covered. For birders, photographers, nature lovers.
For beginner and advanced photographers.
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Recommended Lenses
Tamron SP AF 200-500mm/F5-6.3 Di LD (IF)
This is a
new zoom lens from Tamron that lets you bring your far away subjects
up close while compressing the distance between the mainsubject and
the background for professional-looking results. Even while covering
up to a 500mm that enables you to take ultra telephoto shots
of
subjects further than the eye can see, its design is extremely
lightweight and compact. When mounted on an APS-C size digital SLR
camera,
it provides a focal length equivalent to a 760mm for super
ultra telephoto imaging.
Other Lenses
For Canon
Canon EF 100-400mm f/4.5-5.6L IS USM Telephoto Zoom
The first EF lens with a
zoom range from 100mm to 400mm, the EF 100-400mm f/4.5- 5.6L IS
USM lens offers high resolution, superb contrast, neutral color
balance, and Canon's original built-in Image Stabilizer function.
Fluorite and Super UD glass completely eliminate secondary
spectrum for superb color rendition. Auto-focusing is fast and
silent with Canon's Ultra-Sonic Motor, and AF speed is further
enhanced through an advanced, lightweight rear focusing design
that incorporates a floating element for consistent image quality
at all focusing distances from 5.9 ft. to infinity. This lens is
also equipped with a dual-mode Image Stabilizer suitable for
panning as well as stationary subjects. With full-time manual
focus, one-touch zooming with a wide grip, and a special ring that
permits adjustment of zooming friction, this is a lens that's
extremely easy to use, and ideal for a wide variety of
applications including nature, wildlife, sports, and documentary
photography. |
For Nikon
Nikon 80-400mm
f/4.5-5.6D ED Autofocus VR Zoom Nikkor Lens
Nikon's new 80-400mm
high-power zoom lens features an innovative Vibration Reduction
(VR) system that allows handheld super-telephoto
shooting at dusk, at night and even in poorly lit rooms.
The Lens' VR system minimizes image blur caused by camera
shake, and offers the equivalent of shooting at a shutter speed
three stops (eight times) faster*. The lens offers a natural
viewfinder image even during VR operation and also detects
automatically when the photographer pans. This exciting new Nikkor
is ideal for candid portrait, sports photography and more.* Nikon
Results based on Nikon's internal performance tests. Note: VR
Operation works with the F5, F100, N80, N65 and
D1.High-performance, high-power 5X (80-400mm) AF zoom lens with
Vibration Reduction (VR) system Vibration Reduction (VR) minimizes
image blur caused by camera shake. Two VR modes available: 1)
Vibration Reduction for both the viewfinder image and the image on
film. Moderate VR operation is executed to ensure viewing comfort
for the viewfinder image. 2) VR for the image on the film only
(conserves battery power). VR operation can be canceled when not
needed. New optical design incorporates three ED glass elements
for superior optical performance throughout the entire zoom range
Rounded diaphragm opening (9 blades) is especially good for
close-ups and portraits High-performance Nikon Super Integrated
Coating offers superior color reproduction and minimizes ghost and
flare. |
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