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Photographing Birds

Left Image: Canon EOS D30, Tamron 200-400mm f-5.6, Bogen tripod and ball head, 1/350 sec at f-5.6 on aperture priority mode and manual focus.

Birds are one of my favorite subjects. They are simultaneously among the easiest and the most difficult subjects to photograph. They are easy to find and many types of birds are used to people, so approaching them is not difficult. On the other hand, many birds are shy and don't allow you to get too close. Even staying far back and using very long lenses may not be enough to photograph them. Birds have excellent eyesight. They see you long before you even notice there are birds around. Smaller birds are faster and more active, making them much more difficult to photograph. Understanding their behavior helps you take great photographs. You should approach birds slowly. Don't make any sudden movements or you can scare them away. Birds are very aware of eyes. Don't look them in the eyes, especially if you are walking towards them. Birds see this as a treat and will fly away. The best way to approach birds is by walking very slowly while looking at another direction. It is a good idea to change direction if you feel the birds are becoming nervous by your present. You will definitely need a long lens for bird photography. 300mm and 400mm lenses will cover larger birds. 500mm and longer lenses are great for smaller birds or when closer approach is not possible. Faster lenses allow higher shutter speeds, required for most bird photography. You can use a telephoto zoom lens, but you need to use a fast film, either ISO 200 or 400. A set of 1.4X and 2X converter can give you some extra reach. Use converters with fixed focal telephoto lenses. Zooms don't work well with converters, plus many zooms have a maximum aperture of f-5.6 which is too slow with teleconverters. With a 1.4X converter, your f-5.6 lens becomes f-8, and f-11 with a 2X. Your shutter speeds will be too slow with these f-stops, and overall sharpness will also suffer when you use zooms with teleconverters. Setting up a blind is another way of photographing birds. You can set up a blind close to places where many birds come to feed such as lakes. If you do a lot of bird photography invest in a small and portable blind.

Right Image: Canon EOS A2, Tokina 300mm f-4 ATX Pro , lens,  Fuji Provia 100, Bogen tripod and ball head. Multi-segment metering, shutter speed not recorded,  f-4 on aperture priority and autofocus.

Focusing is critical. You'll be shooting with a wide aperture most of the time which can give a shallow depth-of-field. Focus on the eyes. The eyes draw the viewers attention to the photograph. You need a fast shutter speed to freeze motion. If the bird is flying towards you, a very fast shutter speed is not necessary, but if it is passing in front of you and very close, a shutter speed of 1/500 sec or faster is required to freeze motion. A tripod is essential for sharp images, especially with longer lenses. However, when photographing birds in flight, tripods are difficult to use. Following a bird and changing your tripod's controls is not easy. A shoulder stock is the best support for birds in flight. It lets you pan and focus much easier than a tripod. I've used my 200mm, 300mm, and 400mm lenses with a shoulder stock with very good result. Spot meters are very useful for determining exposure. Select a middle tone area and take a reading. For white birds you must open up 1 to 2 stops. For black birds, spot meter a middle tone area in the same light as your subject and use that setting to take the picture. Successful bird photography requires patients, understanding of your subject and luck.

Photographing Birds in the Wild: Photographic Hints and Tips

Whether readers are knowledgeable birders who wish to find out more about photography, or whether they have a photographic background but need to know more about field craft and specialist photography techniques, this book clearly explains how to get fine results using basic 35mm cameras and equipment. Above all, it will increase readers' enjoyment of a uniquely rewarding pastime.

As photographic subjects, wild birds present quite a challenge, mainly because their phenomenal eyesight and (in most cases) acutely cautious nature make them so difficult to approach. However, like any good challenge, bird photography can often be tremendously rewarding, and its popularity is ever increasing. As a result, there is a continual improvement in the standard of work being produced. Far from being just a record of species and behavior, the best bird photographs are genuinely artful images.

The books provides the less experienced photographer with a practical guide to photographing many species of wild birds in a variety of situations, ranging from an ordinary back garden to a remote Scottish island. The author uses a 35mm single-lens reflex camera, and most of the illustrations reflect his preference for natural lighting--although basic flash techniques, which are sometimes indispensable, are also covered. For birders, photographers, nature lovers. For beginner and advanced photographers.

 

 

Recommended Lenses

Tamron SP AF 200-500mm/F5-6.3 Di LD (IF)

This is a new zoom lens from Tamron that lets you bring your far away subjects up close while compressing the distance between the mainsubject and the background for professional-looking results. Even while covering up to a 500mm that enables you to take ultra telephoto shots
of subjects further than the eye can see, its design is extremely lightweight and compact. When mounted on an APS-C size digital SLR camera, it provides a focal length equivalent to a 760mm for super ultra telephoto imaging.

 
For Canon

For Nikon

Other Lenses

 

For Canon

Canon EF 100-400mm f/4.5-5.6L IS USM Telephoto Zoom  



The first EF lens with a zoom range from 100mm to 400mm, the EF 100-400mm f/4.5- 5.6L IS USM lens offers high resolution, superb contrast, neutral color balance, and Canon's original built-in Image Stabilizer function. Fluorite and Super UD glass completely eliminate secondary spectrum for superb color rendition. Auto-focusing is fast and silent with Canon's Ultra-Sonic Motor, and AF speed is further enhanced through an advanced, lightweight rear focusing design that incorporates a floating element for consistent image quality at all focusing distances from 5.9 ft. to infinity. This lens is also equipped with a dual-mode Image Stabilizer suitable for panning as well as stationary subjects. With full-time manual focus, one-touch zooming with a wide grip, and a special ring that permits adjustment of zooming friction, this is a lens that's extremely easy to use, and ideal for a wide variety of applications including nature, wildlife, sports, and documentary photography.
For Nikon


Nikon 80-400mm f/4.5-5.6D ED Autofocus VR Zoom Nikkor Lens



Nikon's new 80-400mm high-power zoom lens features an innovative Vibration Reduction (VR) system that allows handheld super-telephoto shooting at dusk, at night and even in poorly lit rooms. The Lens' VR system minimizes image blur caused by camera shake, and offers the equivalent of shooting at a shutter speed three stops (eight times) faster*. The lens offers a natural viewfinder image even during VR operation and also detects automatically when the photographer pans. This exciting new Nikkor is ideal for candid portrait, sports photography and more.* Nikon Results based on Nikon's internal performance tests. Note: VR Operation works with the F5, F100, N80, N65 and D1.High-performance, high-power 5X (80-400mm) AF zoom lens with Vibration Reduction (VR) system Vibration Reduction (VR) minimizes image blur caused by camera shake. Two VR modes available: 1) Vibration Reduction for both the viewfinder image and the image on film. Moderate VR operation is executed to ensure viewing comfort for the viewfinder image. 2) VR for the image on the film only (conserves battery power). VR operation can be canceled when not needed. New optical design incorporates three ED glass elements for superior optical performance throughout the entire zoom range Rounded diaphragm opening (9 blades) is especially good for close-ups and portraits High-performance Nikon Super Integrated Coating offers superior color reproduction and minimizes ghost and flare.
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