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Photographing
butterflies

Left Image:
Minolta Maxxum 9Xi, 100mm
f-2.8
macro lens, Fuji Velvia 50, flash off camera, Bogen tripod and ball head.
Multi-segment metering, 1/250 sec at f-11. Aperture priority and manual focus.
When we photograph larger wildlife, we tend
to be more careful. We choose our equipment and approach carefully, but not when it comes
to photographing butterflies or other insects. Butterflies are wildlife also and you need
to approach them as any other type of wildlife. Butterflies are very aware of their
surroundings and any sudden movement can scare them away. You also need to pick the right
equipment. When we photograph birds or mammals, we pick the right telephoto lens and take
several focal lengths and other accessories. You need to pick the right equipment for
butterfly photography as well. Any 35mm camera with aperture priority or manual mode will
work fine. Macro lenses are the best choices. Theses lenses let you get close for frame
filling shots. Most popular macro lens is the 50mm, but you need to get very close which
can scare away your subject. I prefer 100mm and 200mm macros with life-size capability.
You can stay far enough and still get close shots. 200mm macros have built-in tripod
collar for easier and faster vertical shots. Another alternative is extension tubes. You
can use them with any lens for getting closer, but you loose some light. For best results
use extension tubes with 50mm to 200mm lenses, either fixed or zooms. You can also use
close-up filters. +1 to +3 powers with 50mm and 100mm lenses work best, but you loose
corner sharpness. A tripod and cable release must be used for sharp images. Tripods that
go very low to the ground are ideal.

Right Image:
Minolta Maxxum 9, Tokina 80-200mm f-208 ATX
with Kenko extension tubes lens, Fuji Velvia 50, flash off camera, Bogen tripod and ball head.
Multi-segment metering, 1/250 sec at f-11. Aperture priority and manual focus.
Butterflies are best photographed early in the mornings when they are less active,
especially cold mornings. Once the sun is up and butterflies are warm, they become very
active. Don't chase them around. The best way to approach butterflies is to wait and see
where they land. Butterflies are very selective about where they like to rest or what the
eat. If they don't like where they have landed, they quickly fly to find another place.
Don't set up your tripod as soon as you see one land. Wait a minute or two to make sure
the butterfly is settled. Move in closer but not too close. Pick your lens and look
through the viewfinder for best composition. Set up your tripod and attach your camera.
Stop the lens down for proper depth-of-field. I've used f-stops as wide as f-5.6 and as
small as f-22. Remember, the closer you get, the shallower the depth-of-field. Don't stop
down more than it is necessary to avoid long shutter speeds. If your subject is
cooperative and gives you enough time, try a different focal length and f-stop. 200mm
macros or 200mm lenses with extension tubes are one of my favorite butterfly lenses. They
throw the back ground out of focus which make the subject really stand out. Pick a natural
looking background. Vegetation and flowers are always great. Try to shoot parallel and
close to the ground for best sharpness and different look. Try vertical shots as well. It
is more difficult to set up your tripod to vertical position, but the results can be very
rewarding. You can use flash if light is low or you need to remove shadows, otherwise try
avoiding flash. Butterflies are beautiful and make great subjects. With patience and the
right equipment you can produce great results.
Final Note: Please do not remove butterflies and other insects from
their natural habitats to photograph them. Enjoy photographing them as they
are. No photograph is worth destroying the subject.
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Recommended reading: The
Art and Science of Butterfly Photography
Book Description
Butterflies are a favorite subject of nature photographers, but capturing them on film requires skill, special equipment, and an understanding of their behavior. Starting with a basic discussion of butterfly anatomy, this book delves into the details of their habits and habitats-including where and how they live and where and when to look for specific breeds. This information helps photographers find butterflies and lure them in front of the camera. An equally thorough discussion of technique-including using auto or manual focus, exposure compensation, picking a lens, using multipliers, extension rings, filter, and flash, coping with movement, and controlling the background and light-covers everything essential to making a great shot.
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Recommended macro Lens
Sigma 180mm F3.5 EX IF HSM Macro Lens
This high performance tele-macro
lens can focus from infinity to full 1:1 Life-size reproduction without
accessories. At 1:1 reproduction the distance from subject to film plane
is 18.1 inches, making this lens convenient for photographing subjects
which are not easily approached, such as small animals or insects, etc.
The apochromatic design and two SLD (Special Low Dispersion) glass
elements, plus floating inner focus system effectively control Chromatic
and Spherical Aberrations as well as Astigmatism, providing superb
performance throughout the focusing range. The models for Sigma, Canon
and Nikon AF cameras employ Sigma's HSM (Hyper Sonic Motor) for quiet,
responsive AF function plus "full time" manual focus. A Focus Limiter
switch aids in faster AF for closer or more distant subject situations,
by restricting the movement of the focusing mechanism. The HSM model
lenses can be used with Sigma's 1.4X EX teleconverter as a 252mm f/4.9
lens, with Sigma, Canon and Nikon AF cameras, providing AF function from
infinity to about 47 inches. At closer distances, the lens automatically
switches to manual focus. (The models for Minolta and Pentax cameras
will be manual focus with the 1.4X EX teleconverter.) This lens can also
be used with Sigma's 2X EX teleconverter as a 360mm f/7 lens, for manual
focus in all cases.
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