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Composing with square format
Photographers who have used 35mm will have
some problems composing with a 6X6 camera. However, square format users see nothing
strange about this format. Composing within a square format can be done several ways. You
can crop the image to fit the frame. The problem with this type of composing is that you
will loose part of the image when printing. A 6X6 negative must be cropped to fit popular
paper sizes such as 8X10 or 16X20. The advantage of the larger format is lost to some
degree. When compared to 35mm, 6X6 gives 3X the image area. This is only true if you use
the whole format. When you crop a 6X6 negative, you end up with a 6X4.5 format. You will
still get better prints with a 6X6 than a 6X4.5, since the original was taken on a larger
format, but the difference is not much. Another way to compose with a 6X6 format is to
imagine a line within the frame and compose inside it. Decide if you want your shot to be
horizontal or vertical, and then compose your shot but leave room for cropping. Do not
crop too tightly or you could loose some important part of the subject. Pay close
attention when photographing buildings or interiors. Visualize the final print and make
sure to leave enough room for cropping.

upside down view as it appears in the waist level viewfinder
When photographing wild life, you can easily
compose within square format. You don't have to get too close to your subject or use very
long telephotos as you would with a 35mm camera. Many photographers use 350mm to 500mm
lenses (equivalent to 200mm to 300mm in 35mm) and enlarge a portion of the image. With
35mm format for example, you might need a 600mm lens to fill the frame. With square
format, you can use a shorter lens and blow up any part of the image with fine, sharp
detail, and with much more framing option. Some square format users don't make any
cropping decision when composing. They simply take their shots and decide later which part
of the image they want cropped. I do not recommend this method unless you are an
experienced 6X6 user. Pros and long time users have enough experience with square format
to know exactly how they want their final images.
It takes some time to get used to the
square format. Once you have mastered it, you will enjoy its framing option, and you can
use what you learn from your 6X6 images when using your 35mm camera.
Recommended reading: Learning to See
Creatively: Design, Color & Composition in Photography
Synopsis
Almost everyone can "see" in the conventional sense, but
developing photographic vision takes practice. This work helps photographers
visualize their work, and the world, in a whole new light. This revised and
rewritten guide takes a radical approach to creativity. It explains how it
is not some gift only for a few, but actually a skill that can be learned
and applied. Using inventive photographs from his own portfolio, the author
deconstructs creativity for photographers. He details the basic techniques
that went into not only taking a particular photo, but also provides
insights on how to improve upon it, so helping readers avoid the visual
pitfalls that can lead to dull photographs. This edition features
information
on digital photography and digital imaging software, as well as a section on
color as a design element.
Book Description
Almost everyone can "see" in the
conventional sense, but developing photographic vision takes practice.
Learning to See Creatively helps photographers visualize their work, and the
world, in a whole new light. Now totally rewritten, revised, and expanded,
this best-selling guide takes a radical approach to creativity. It explains
how it is not some gift only for the "chosen few" but actually a skill that
can be learned and applied. Using inventive photos from his own stunning
portfolio, author and veteran photographer Bryan Peterson deconstructs
creativity for photographers. He details the basic techniques that went into
not only taking a particular photo, but also provides insights on how to
improve upon it-helping readers avoid the visual pitfalls and technical dead
ends that can lead to dull, uninventive photographs. This revised edition
features the latest information on digital photography and digital imaging
software, as well as an all-new section on color as a design element.
Learning to See Creatively is the definitive reference for any photographers
looking for a fresh perspective on their work.
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