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Digital Wildlife Photography

Left Image:
Canon EOS D30,
Tokina ATX 300mm f-4, Bogen tripod and ball head
multi-patter metering,
1/60 sec at f5.6, Aperture priority and autofocus
More and more photographers are switching
to digital photography. There are two ways to enter digital photography. One is by
switching to digital SLRs or continue shooting film and then scanning the negative,
transparencies, or the prints. Wildlife photography with digital cameras has several
advantages and disadvantages. As of this writing (September 2001) Nikon and Canon offer
digital cameras that accept lenses and accessories you might already own. Contax and
Pentax will soon introduce their own versions. No word from Minolta so far for a digital
model that will accept Maxxum lenses and accessories, but this might change in the near
future.
Wildlife photographers will get increased
magnifications of between 1.3x to 1.6X with their telephoto and other lenses. Digital cameras have
sensors smaller than 35mm frames which results in higher magnifications. A 300mm lens
becomes 480mm, 500mm becomes 800mm, and 800mm lens becomes 1280mm lens. If you work with
zooms, you get lots of magnifications in one lens. A 100-400mm zoom becomes 160-600mm.
Your 80-200mm becomes 128-320mm. Best of all, maximum aperture does not change. Take the
300mm f-2.8 lens for example, on a digital camera it becomes 480mm f-2.8. That is one
awesome fast telephoto. Try the 80-200mm f-2.8 and you get 128mm-320mm f-2.8 fast
telephoto zoom for covering mammals and larger birds. If you own teleconverters, you can
instantly increase magnifications even more. Add a 1.4X teleconverter to 600mm f-4 lens
and you end up with a 1344mm f-4 lens! Avoid longer focal lengths unless you really need
the extra reach. At high magnifications it is very difficult to hold the camera and lens
steady for sharp images. It is fun to experiment and play around with your lenses. For
serious work, choose the right focal length and change lenses as you need.
Digital cameras give immediate results. You
can quickly view the image on an LCD monitor on the back of the camera. Keep the images
you like and delete the bad ones. You can check composition, sharpness, and exposure
instantly. If you own and carry a laptop computer, you can download your images and edit
them on location. You can also e-mail your images to clients. Memory cards store images
which can be off-loaded to a laptop or Digital Wallet. Large capacity cards allow
continuous shooting at high resolutions. You get more shots with high capacity memory cards
than traditional films. You no longer have to wait to replace films or switch to faster
ISO films in low light. Digital cameras let you change speed from image to image. You can
set the camera to ISO equivalent of 100 for normal shooting and increase sensitivity to
ISO 200 or 400 to gain more speed. Noise will be noticed at higher speeds which look
similar to grain found on faster films. However, the ability to shoot at different speeds
without having to reload film is a major plus

Right Image: Canon EOS D60, Tokina ATX 300mm f-4, 1/500 sec at f-4, Bogen
monopod
There are some draw backs to digital
cameras for wildlife photography. In order to produce quality results, large files are
required. You need high capacity memory cards to store images and either a laptop computer
or Digital Wallet to off-load your shots. High capacity cards are expensive and you
probably need more than one. Continuous high speed shooting is another problem. You won't
have the luxury of eight frames or even five frames per second shooting
unless you use a top expensive pro model. Although it is
possible to shoot several shots per second, camera needs to pause before you can fire more
shots. Improvements are being made to correct this by Nikon and other manufacturers.
Autofocus is not as fast with digital cameras as traditional film cameras. Current
autofocus cameras are much faster and perform better for fast moving wildlife. The real
draw back to digital SLRs are the price. Currently we are looking at $3000 to $5000 price
range. If you have the money and need a digital SLR, then by all means purchase the
camera. Otherwise buy a quality film scanner and take advantage of your current system and
investment. You don't have to own a digital camera to photograph wildlife. I know this
seems obvious but there are those who believe digital age requires them to invest in
expensive digital SLRs and perhaps newer lenses and accessories. You don't have to
abandon your current system. A quality film scanner can be bought for around five hundred
dollars. You can scan your films and have digital images in minutes. Quality is excellent.
Current ISO 200 films are so good and scan so well that you can shoot under any light even
with telephoto zooms with maximum aperture of f-5.6. In the past an f-2.8 telephoto and
slow films were required in order to record sharp fine grain images on film for making
large prints or for publications. 35mm cameras can now be loaded with ISO 200 or even 400
films to photograph wildlife that can be scanned and enlarged with excellent results.

Top Image:
500mm F4.5 EX DG/HSM telephoto
lens optimized for digital SLR cameras
Whether you use digital SLRs or
traditional film cameras with scanners, approaching and photographing wildlife is still
the same as before. Stay at a safe distance for your own as well as the animal's
protection. Use the best photographic technique. That means paying close attention to
exposure, light, composition, and using a solid support. Think how you will be using the
image in your computer. There are so much more that can be done with each and every shot
you take. Image editors are fantastic tools for improving your photography. As always,
respect and care for what you love to photograph.
Recommended readings:
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Moose Peterson's Guide
to Wildlife Photography : Conventional and Digital Techniques
With more than 20 years' experience in
wildlife photography, Moose Peterson is one of the world's most accomplished
documenter of endangered species. He reveals his professional secrets and
techniques in this, his most comprehensive and spectacularly photographed guide
to date. The author explains exactly: how to make the most of your equipment and
how to use animals' habits to optimize your results. find the right tools for
the job, including every type of lens; learn techniques such as panning,
shooting from blinds, and remote triggering of the flash; take expert advice on
how to make the subject really come to life in your images; understand how to
use animals' habits to optimize your results; see how to frame the animal within
a background for that perfect shot; explore techniques for modifying the natural
light to really highlight your subject.
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Digital Wildlife Photography
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Recommended Equipment
Tamron SP AF 200-500mm/F5-6.3 Di LD (IF)
This is a
new zoom lens from Tamron that lets you bring your far away subjects
up close while compressing the distance between the main subject and
the background for professional-looking results. Even while covering
up to a 500mm that enables you to take ultra telephoto shots of
subjects further than the eye can see, its design is extremely
lightweight and compact. When mounted on an APS-C size digital SLR
camera, it provides a focal length equivalent to a 760mm for super
ultra telephoto imaging.
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