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Photography Field Gear



Part of the fun of photography is equipment. Every photographer loves a new camera or lens. We simply can't resist buying a new lens, even though we don't really need it. Buying a new camera or lens however, won't make anybody a better photographer. Many times our new equipment sits in our camera bags looking as new as the day we bought them. My first advice is to buy what you think you really need. Secondly, learn to use your equipment and know their limits. Every time I meet other photographers in the field, the first question they ask me is what type of camera or lenses I own. Recently I was photographing some buildings when I met a large group of photographers in a workshop. Every one of them whom I talked to asked me about my camera model and lenses but nobody even bothered to look at my tripod. There is a great belief that equipment make good photograph. Good equipment make photography easier but not necessary any better. I own several camera bodies and lenses, and use them depending on the situation. I don't carry everything I own with me unless I'm traveling by car. I try to take as much equipment as I can comfortably carry to cover most of my subjects. This depends on the type of subjects I want to photograph. If I'm out to photograph birds for example, I carry two camera bodies with 300mm and 400mm lenses, teleconverters and a tripod. If I'm shooting close-ups, there is no need for long telephoto lenses. A macro lens or a zoom with extension tube is enough. The equipment you need to carry with you depends on your subject, location, and how much weight you can comfortably carry. Nobody can tell you what equipment you need. Only you can decide depending on the type of photography you do. I can give you some suggestions by including a list of equipment I carry for different types of my photography, but you need to make your own decisions and don't try to copy my gear. What works for me, may not necessarily work for you.

Wildlife


Two camera bodies, 300mm f-2.8 and 400mm f-5.6 lenses with tripod quick release attached, 1.4X and 2X converters, extension tubes, extra batteries, tripod with ball head or monopod. At least ten rolls of films. I try to carry my 80-200mm f-2.8 if possible. Backpack. I try to squeeze-in my Pentax 67 and 300mm f-4.
Landscape
One camera body with tripod quick release, 24mm f-2.8 and 35mm f-2 wide-angle lenses, 100mm f-2.8 macro lens (works just as good as any 100mm lens for normal distances), 200mm f-2.8 lens, 1.4X and 2X converters. If I'm taking my medium format gear, I switch to 24-50mm f-4 lens, 80-200mm f-2.8 lens. Hand meter, extension tubes, extra batteries, tripod with ball head, cable release, polarizing filter, graduated ND filters, 81B filter, and 5-6 rolls of film. My medium format gear for landscape includes one Pentax 67 body with quick release attached, 75mm f-4.5 lens, 200mm f-4 lens, 5 rolls of 120 films. Backpack or hip pack. Occasionally, I carry my Omega 45E large format with 135mm f-5.6 and 210mm f-6.8 lenses, and five film holders (10 sheets total). Backpack or hip pack.

Close-ups
One camera body with tripod quick release attached, 100mm f-2.8 macro lens, 200mm f-2.8 or 80-200mm f-2.8 lens, extension tubes, +1 and +3 close-up filters, 81B filters, tripod with pan and tilt head, Bogen clamp attached to one of the tripod legs with quick release for low to the ground close-ups, cable release, extra batteries, flash attached to brackets, 5-6 rolls of film. Hip pack.

Architectural
One camera body with tripod quick release attached, 24-50mm f-4 lens, 80-200mm f-2.8 lens, polarizing filter, tripod with ball head, cable release, extra batteries, 4-5 rolls of film. Medium format gear: Pentax 67, 75mm f-4.5 lens, 200mm f-4 lens, 4-5 rolls of 120 film.

General photography close to home
One camera body with tripod quick release attached, 24-50mm f-4 lens, 100mm macro lens, 200mm f-2.8 or 80-200mm f-2.8 lens, 1.4X and 2X converters, extension tubes, polarizing filter, tripod with ball head, cable release, extra batteries, 4-5 rolls of film.

 
Travel photography by air
Same as above Travel photography by car (see right) except I leave my large format equipment behind. All my gear goes inside a Tamrac 614. My tripod and a smaller backpack are placed inside my suite case. I place all my films in clear plastic film cans and large zip locks for easier hand inspection.

You certainly don't need all the equipment I mentioned above, or you may even need more. I have gone through many different gears and finally find what works for me. Only you can decide what cameras and lenses or other accessories will work for you. A more featured camera or a faster lens might work for a wildlife photographer, but if you are interested in architectural, you don't really need a fast lens or a camera with 5 fps motor drive. Buy only the equipment you really need. Get to know your cameras and lenses. Pushing your equipment to their limits is better than spending more money on a new lens. I have used my 200mm lens in any situation you can imagine from extreme close-ups to portraits and wildlife. Many of my photos are still taken with my older and less exotic equipment. I was photographing pelicans one day with my older Maxxum 9000 and my slower Tokina 400mm f-5.6 lens. My more impressive looking Minolta 300mm f-2.8 lens attached to my newer Maxxum 9 was sitting next to me when another photographer approached me and asked me with amazement why I wasn't using my 300mm. I told him what I was working with was just fine. When I noticed my answer wasn't good enough, I assured him that I hadn't lost my mind and was getting the shots I was after. I use what I feel is the best equipment for the job. If my lighter and smaller 400mm is giving me the images I want to capture, I don't bother with a heavier 300mm lens even though its much faster, and as long as my 300mm with a 2X converter can cover my longer shots, I won't consider a 600mm lens even if I could afford one. I use 35mm for most of my photography. I use medium format mostly for landscape, but I have used medium format in many other types of photography including close-ups and wildlife. I don't use my large format as often unless I come across a scene that I feel the larger film size and view camera movement is needed.

 

Travel photography by car
Everything I own. All cameras attached with quick releases as well as lenses with tripod collars, 300mm f-2.8 and 400mm f-5.6 attached to two camera bodies set on aperture priority with lenses set on maximum f-stops and left on the back seat ready for quick birds or other wildlife shots. All front and rear lens caps removed, and lenses placed inside the camera bag (always in the same place). Equipment I frequently use, cable release, teleconverters, polarizing and graduated ND filters, hand meter, 10 rolls of film, batteries, Swiss army knife, all go into my vest pockets. All my 35mm and medium format equipment are placed inside a Tamrac 614 bag. My large format equipment are placed in a separate camera bag I made myself. Tripod, monopod, rice bag for supporting the camera from the car. Back pack and hip pack when I need to walk far from my car. I try to take as much films as I can. At least 40 rolls of 35mm ISO 50 and 100, 20 rolls of 120 ISO 50 and 100, 10 sheets of ISO 50 4X5 in film holders with 10-20 additional sheet films and a changing bag.


Think ahead before purchasing new equipment. Make sure your new camera or lens will give years of service. You must also like your equipment or you won't enjoy using them. Most importantly, get out and take pictures, and if you see me, ask me about my tripod and ball head.

 

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