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Photography Field Gear

Part of the fun
of photography is equipment.
Every photographer loves a new
camera or lens. We simply can't
resist buying a new lens, even
though we don't really need it.
Buying a new camera or lens
however, won't make anybody a
better photographer. Many times
our new equipment sits in our
camera bags looking as new as
the day we bought them. My first
advice is to buy what you think
you really need. Secondly, learn
to use your equipment and know
their limits. Every time I meet
other photographers in the
field, the first question they
ask me is what type of camera or
lenses I own. Recently I was
photographing some buildings
when I met a large group of
photographers in a workshop.
Every one of them whom I talked
to asked me about my camera
model and lenses but nobody even
bothered to look at my tripod.
There is a great belief that
equipment make good photograph.
Good equipment make photography
easier but not necessary any
better. I own several camera
bodies and lenses, and use them
depending on the situation. I
don't carry everything I own
with me unless I'm traveling by
car. I try to take as much
equipment as I can comfortably
carry to cover most of my
subjects. This depends on the
type of subjects I want to
photograph. If I'm out to
photograph birds for example, I
carry two camera bodies with
300mm and 400mm lenses,
teleconverters and a tripod. If
I'm shooting close-ups, there is
no need for long telephoto
lenses. A macro lens or a zoom
with extension tube is enough.
The equipment you need to carry
with you depends on your
subject, location, and how much
weight you can comfortably
carry. Nobody can tell you what
equipment you need. Only you can
decide depending on the type of
photography you do. I can give
you some suggestions by
including a list of equipment I
carry for different types of my
photography, but you need to
make your own decisions and
don't try to copy my gear. What
works for me, may not
necessarily work for you.
Wildlife
Two camera
bodies, 300mm f-2.8 and 400mm
f-5.6 lenses with tripod quick release
attached, 1.4X and 2X
converters, extension tubes,
extra batteries, tripod with
ball head or monopod. At least
ten rolls of films. I try to
carry my 80-200mm f-2.8 if
possible. Backpack. I try to
squeeze-in my Pentax 67 and
300mm f-4.
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Landscape
One camera
body with tripod quick
release,
24mm f-2.8 and 35mm f-2
wide-angle lenses, 100mm
f-2.8 macro lens (works
just as good as any
100mm lens for normal
distances), 200mm f-2.8
lens, 1.4X and 2X
converters. If I'm
taking my medium format
gear, I switch to
24-50mm f-4 lens,
80-200mm f-2.8 lens.
Hand meter, extension
tubes, extra batteries,
tripod with ball head,
cable release,
polarizing filter,
graduated ND filters,
81B filter, and 5-6
rolls of film. My medium
format gear for
landscape includes one
Pentax 67 body with
quick release attached,
75mm f-4.5 lens, 200mm
f-4 lens, 5 rolls of 120
films. Backpack or hip
pack. Occasionally, I
carry my Omega 45E large
format with 135mm f-5.6
and 210mm f-6.8 lenses,
and five film holders
(10 sheets total).
Backpack or hip pack. |
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Close-ups
One camera
body with tripod quick release
attached, 100mm f-2.8
macro lens, 200mm f-2.8
or 80-200mm f-2.8 lens,
extension tubes, +1 and
+3 close-up filters, 81B
filters, tripod with pan
and tilt head, Bogen
clamp attached to one of
the tripod legs with
quick release for low to
the ground close-ups,
cable release, extra
batteries, flash
attached to brackets,
5-6 rolls of film. Hip
pack. |
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Architectural
One camera
body with tripod quick
release attached,
24-50mm f-4 lens,
80-200mm f-2.8 lens,
polarizing filter,
tripod with ball
head, cable release,
extra batteries, 4-5
rolls of film.
Medium format gear:
Pentax 67, 75mm
f-4.5 lens, 200mm
f-4 lens, 4-5 rolls
of 120 film.
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General
photography close to
home
One camera
body with tripod quick
release attached,
24-50mm f-4 lens,
100mm macro lens,
200mm f-2.8 or
80-200mm f-2.8 lens,
1.4X and 2X
converters,
extension tubes,
polarizing filter,
tripod with ball
head, cable release,
extra batteries, 4-5
rolls of film. |
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Travel
photography by air
Same as
above Travel
photography by car (see
right) except I leave
my large format
equipment behind.
All my gear goes
inside a Tamrac 614.
My tripod and a
smaller backpack are
placed inside my
suite case. I place
all my films in
clear plastic film
cans and large zip
locks for easier
hand inspection.
You certainly don't need all the
equipment I mentioned above, or
you may even need more. I have
gone through many different
gears and finally find what
works for me. Only you can
decide what cameras and lenses
or other accessories will work
for you. A more featured camera
or a faster lens might work for
a wildlife photographer, but if
you are interested in
architectural, you don't really
need a fast lens or a camera
with 5 fps motor drive. Buy only
the equipment you really need.
Get to know your cameras and
lenses. Pushing your equipment
to their limits is better than
spending more money on a new
lens. I have used my 200mm lens
in any situation you can imagine
from extreme close-ups to
portraits and wildlife. Many of
my photos are still taken with
my older and less exotic
equipment. I was photographing
pelicans one day with my older
Maxxum 9000 and my slower Tokina
400mm f-5.6 lens. My more
impressive looking Minolta 300mm
f-2.8 lens attached to my newer
Maxxum 9 was sitting next to me
when another photographer
approached me and asked me with
amazement why I wasn't using my
300mm. I told him what I was
working with was just fine. When
I noticed my answer wasn't good
enough, I assured him that I
hadn't lost my mind and was
getting the shots I was after. I
use what I feel is the best
equipment for the job. If my
lighter and smaller 400mm is
giving me the images I want to
capture, I don't bother with a
heavier 300mm lens even though
its much faster, and as long as
my 300mm with a 2X converter can
cover my longer shots, I won't
consider a 600mm lens even if I
could afford one. I use 35mm for
most of my photography. I use
medium format mostly for
landscape, but I have used
medium format in many other
types of photography including
close-ups and wildlife. I don't
use my large format as often
unless I come across a scene
that I feel the larger film size
and view camera movement is
needed.
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Travel
photography by car
Everything I
own. All cameras
attached with quick
releases as well as
lenses with tripod
collars, 300mm f-2.8
and 400mm f-5.6
attached to two
camera bodies set on
aperture priority
with lenses set on
maximum f-stops and
left on the back
seat ready for quick
birds or other
wildlife shots. All
front and rear lens
caps removed, and
lenses placed inside
the camera bag
(always in the same
place). Equipment I
frequently use,
cable release,
teleconverters,
polarizing and
graduated ND
filters, hand meter,
10 rolls of film,
batteries, Swiss
army knife, all go
into my vest
pockets. All my 35mm
and medium format
equipment are placed
inside a Tamrac 614
bag. My large format
equipment are placed
in a separate camera
bag I made myself.
Tripod, monopod,
rice bag for
supporting the
camera from the car.
Back pack and hip
pack when I need to
walk far from my
car. I try to take
as much films as I
can. At least 40
rolls of 35mm ISO 50
and 100, 20 rolls of
120 ISO 50 and 100,
10 sheets of ISO 50
4X5 in film holders
with 10-20
additional sheet
films and a changing
bag.
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Think ahead before purchasing
new equipment. Make sure your
new camera or lens will give
years of service. You must also
like your equipment or you won't
enjoy using them. Most
importantly, get out and take
pictures, and if you see me, ask
me about my tripod and ball
head.
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