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Printing
The basic printing process is similar for
both black and white, and color. The first step is to make a contact sheet. This gives
same-size images of each frame allowing you to select which images to print. The second
step is making a test print. This is used to judge exposure and color. Place a sheet of
paper in the contact frame and lay the negatives or slides on the sheet and lower the
glass. Set the aperture of the enlarging lens to f-11. Expose the paper for 15 seconds.
Accurate exposure is not really important as each frame is likely to have been exposed
differently.
Black and white:

With black and white, you have a choice
between fixed and variable contrast papers. Fixed contrast papers come in a range of
grades from 1-7 with the higher numbers having higher contrast. Variable contrast papers
achieve the same effect with a single type of paper by changing filters.
To make a black and white test print, in
safelight:
1- swing the red filter in front of the lens.
2- Place a sheet of paper on the easel.
3- Use a cardboard to cover 1/4 then 1/2 then 3/4 of the paper and expose for 4, 8, and 16
seconds.
4- Process the test print and choose the setting with the best result to use with the
final print. To process the paper, in safelight:
5- Place the paper in the developer and agitate by rocking the tray for 60-90 seconds.
6- Place the paper in stop bath for 30 seconds agitating continuously.
7- Place the paper in fixer for 2 minutes while continuously agitating the tray.
8- Wash the print for 5 minutes under running water. Use the same processing procedure for
the final print.
Color printing:

Color printing uses 3 primary colors:
green, red, and blue. Each of these colors have a complementary color: magenta, cyan, and
yellow. The three complementary colors are used to make the final color print. They are
used to control the amount of colored light reaching the film. Each of these filters
absorb light of its complementary color. For example, cyan absorbs red but allows blue and
green to pass through. When making a print, set the filtration to the recommended setting
which is given by the manufacturer and make a test print. To make a test print follow the
same procedure as explained above for black and white but without the safe light. Adjust
exposure and filtration for the final enlargement.
Color negatives and slides:
With a negative you compensate for any
color by adding filters of the same color or subtracting filters of the other two. With
color slides you subtract the same color or add the other two colors. Decreasing the
exposure time makes the print darker when using slide films. The opposite is true for
negatives. With color transparency films, there are two processing systems, R-3 such as
Kodak's Ektachrome, and silver dye-bleach such as Ilfochrome (formerly known as
Cibachrome). Ilfochrome uses fewer steps and shorter processing times than R-3. You use
three solutions for Ilfochromes, a black and white developer, which develops exposed areas
in each layer, bleach to remove black silver and dye, and fixer. Ilfochromes are sold in
complete kits. Follow instructions for mixing solutions.
To process prints from slides using
Ilfochrome paper:
1- Place paper inside the print drum. Bring solutions to the recommended temperature, and
use the recommended time given by the manufacturer.
2- Start by rinsing the paper for 1 minute.
3- Pour in developer and roll the drum for the full time.
4- Rinse for 1 minute.
5- Pour in bleach, agitate.
6- Rinse for 1 minute.
7- Pour in fixer, agitate.
8- Wash print for three minutes in running water.
9- Hang to dry for 1-2 hours.
For R-3 type papers all solutions should be
at 86F or 30C. The color developer temperature is critical, with a latitude of only 1/2
degrees. Begin by making exposure and filtration test.
1- Load the drum and place in water bath. Let stand for 5 minutes.
2- Add the black and white developer and agitate every 30 sec. for 31/2 minutes.
3- Drain the drum. Add stop bath and agitate for 11/2 minutes.
4- Drain and rinse for 2 min.
5- Add color developer and agitate for 3 min.
6- Rinse for 1 min.
7- Add bleach-fix for 3 min.
8- Wash for 3 min.
9- Add stabilizer and soak for 1 min.
10- Rinse for 1/2 min. Dry.
To process prints from negatives follow the
recommended time and temperature given by the manufacturer. Place drum in water bath. Pour
in the color developer and rotate the drum steadily. Follow the same procedure with the
other chemicals taking care to follow manufacturers suggestions.
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Recommended reading:
The Darkroom Handbook
The Darkroom Handbook, Second Edition, is a
completely revised and updated version of a classic guide to the best
design, construction, and equipment to use when setting up a darkroom.
This book features ideas and money-saving tips on how to put a darkroom
almost anywhere in your home or apartment. It takes you inside darkrooms of
photographers around the world including those of famous photographers such
as, Harry Callahan, Aaron Siskind, Berenice Abbott, and W. Eugene Smith. In
addition, it contains detailed do-it-yourself plans for the most essential
darkroom components, cutouts and design grids to plan that "dream" darkroom,
and special sections on the color darkroom and the digital darkroom.
The most comprehensive book on the darkroom.
A step-by-step guide to help anyone plan and build a photo lab.
Illustrated with an abundance of photos and sketches.
Recommended Papers
Ilford Multigrade IV RC Deluxe
Resin Coated VC Variable Contrast Black & White Enlarging Paper - 8x10" -
100 Sheets - Pearl Surface
ILFORD MULTIGRADE IV RC DeLuxe and ILFORD MULTIGRADE IV RC Portfolio are
premium quality variable contrast papers. MULTIGRADE IV RC has a bright base
tint. The image color remains cool-to-neutral whether viewed in daylight or
fluorescent light. MULTIGRADE IV RC is part of the
ILFORD MULTIGRADE system and is fully compatible with all existing
MULTIGRADE filters and equipment. It is equally suitable for printing from
conventional negatives and from XP2 SUPER negatives.
MULTIGRADE IV RC DeLuxe has the
standard weight (190g/m 2 ) resin coated base. It is available in three
surfaces: 1M glossy, 25M satin and 44M pearl.
Kodak Polycontrast III Resin Coated Black & White Enlarging
Paper, 8x10, 100 Sheets, Glossy, "F" Surface
Fast, selective-contrast general-purpose enlarging paper. For advertising
displays, photofinishing, mapping, school photography, and other
applications that call for a general-purpose enlarging paper with a
neutral-black image tone.
Ilfochrome Classic RC Resin Coated 8x10" - 25 Sheets - CPM.1M
- Glossy Surface - Medium Contrast - for professional enlargements, copies
and photofinishing
ILFOCHROME CLASSIC RC PAPERS are competitively priced and feature an
economical resin-coated base. Pearl paper has a matt finish with a unique
glare- and fingerprint-resistant surface. Glossy paper offers high color
saturation and sharp, clear image reproduction - all at an affordable price. |
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