Zoo
Photography
Left
Image: Minolta Maxxum 9xi, 300mm f-2.8
APO lens, Fuji Velvia 50, Bogen tripod and
ball head.
Spot meter and opening up +1/2 stop exposure
compensation, approx. 1/60 sec and f-4 on
aperture priority and auto focus.
Zoos are
great places for photographing animals. Many
zoos now exhibit their animals in natural
settings that resembles their habitats. You
will need to use a long lens for most of
your zoo pictures. I have found that 300mm
and longer lenses work best. Longer lenses
let you isolate the animal and remove
distracting or unnatural backgrounds. Your
main problem will be fences and glass
barriers. For shots of animals behind
fences, you'll need a wide aperture. Get as
close to the fence as possible, and use your
telephoto lens set at its widest aperture.
You can place your lens right up to the
fence at some exhibits. This way you can use
one of the openings between the fence. The
wide open aperture of long lenses, creates a
shallow depth-of-field which melts the
fence, preventing it from showing up in your
photograph. You loose image sharpness When
photographing through glass. The glass is
like a cheap filter placed over your lens,
and will degrade image quality. You can
still take good pictures from behind glass
barriers. Find a spot that has no scratches.
Make sure it is clean, otherwise wipe the
glass clean (I use my T-shirt), and push
your lens up against the glass. A rubber
lens hood comes in handy here. By placing
your lens against the glass, you can also
remove reflection. This will prevent your
own reflection or other people standing
behind you. You can even use your flash if
you place your lens against the glass,
otherwise hold your flash at a 45 degree
angle with a flash bracket.

Tamron SP
AF 200-500mm/F5-6.3 Di LD (IF)
is a sharp and versatile lens for
zoo photography.
You need to
create images that will look natural.
Artificial rocks, plants, or concrete floors
look fake. Use a longer lens and take
close-up shots if there is no other way to
prevent artificial objects from showing up.
Animals are most active early in the morning
and at feeding times. These are the best
times to take some great shots. You need to
spend some time at each exhibit. Don't try
to cover everything in one day. Set up your
tripod and focus on the animal. Slightly
loosen your tripod's controls for better
maneuverability. Keep your eye on the animal
and your finger on the shutter release. Set
your exposure and choose continues advance.
This doesn't mean you'll be shooting at 5
frames per second, but you'll be ready to
fire a burst if you see action. Release the
shutter and quickly lift your finger off for
single shots, or keep it pressed for
continuous advance. You can build a great
collection of images at the zoo. I prefer
photographing animals in their natural
habitats. However, photographing many rare
and exotic animals is only possible at the
zoo. I doubt if I can ever photograph snow
leopards in the wild. Zoos allow me to add
snow leopards to my collection, and if a
photo buyer is looking for snow leopard
shots, I have them.
Recommended Reading:
Practical Manual of Captive Animal
Photography: The Step-By-Step Guide
to Photographing Wildlife in Zoos,
Aquaria, and Other Controlled
Habitats
Book
Description
Photographers
don't have to travel on safari or
risk life and limb for a portfolio
of marketable nature shots. This
book teaches the step-by-step
techniques necessary for capturing
and selling dramatic images of
animals in settings such as zoos,
nature preserves, and even at home.
Beginning with how to approach the
animals and avoid danger, this book
discusses choosing appropriate
subjects, scouting locations,
creating suitable settings for
smaller animals, capturing shots of
animals in motion, selecting lenses
and filters, and dealing with
obstructions such as fences, glass,
and water. The book also outlines
the necessary equipment-specialized
viewfinders, lenses, and flashes-and
essential legalities such as
permissions to shoot and photo
releases.
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Recommended
Equipment
Tamron SP AF 200-500mm/F5-6.3 Di LD
(IF)
This
is a new zoom lens from Tamron that
lets you bring your far away
subjects up close while compressing
the distance between the main
subject and the background for
professional-looking results. Even
while covering up to a 500mm that
enables you to take ultra telephoto
shots of subjects further than the
eye can see, its design is extremely
lightweight and compact. When
mounted on an APS-C size digital SLR
camera, it provides a focal length
equivalent to a 760mm for super
ultra telephoto imaging.
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